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Smooth,
sweet, and lush… Exciting, vivacious and real… Mary
Gatchell is an amazing performer, powerful pianist,
and sensual singer. Her interpretations of timeless
standards are refreshing, warm and tender, while her
own compositions reveal a depth far more mature than
her years. Her music is simply soulful.
From the town of Epping, New Hampshire, Mary cultivated
her musical talents in voice, piano, and oboe and then
took them to New York City. She is a graduate
of New York University where she majored in Theory
and Composition. As an oboist, she has played at Carnegie
Hall a handful of times with the New York Youth Symphony
Orchestra and is presently a member of the Musica Bella
Orchestra in NYC. In 2006, she conducted and premiered
her first orchestral composition entitled “Brezza
Senese” in Siena, Italy. She has also written
many works for chamber ensembles and choir.
Jazz legends Lionel Hampton, Clark Terry, Tito Puente,
Al Grey, and Gerry Bergonzi are some of the greats
she has had the honor of performing with. Mary has
performed jazz at Avery Fisher Hall at Lincoln Center,
the Lamb’s Theatre on Broadway, Symphony Space,
Cutting Room, Birdland, Knitting Factory, Ryles, and
the world famous Blue Note.
Mary plays regularly with guitarist, Peter Calo, of
Carly Simon fame, bassist, Leo Traversa (Don Byron,
Astrid Gilberto) and amazing Broadway drummer, Larry
Lelli. Peter produced her latest album entitled, “Indigo
Rose”, which covers the spectrum of modern pop
with some jazzy influences. In 2005, she won a slot
in the Songwriters Hall of Fame New Writers Showcase.
Her album of jazz standards, “Mary Gatchell Quartet” features
world-renown pianist and composer, Jim McNeely, Leo
Traversa on bass, and John O’Reilly Jr. on drums.
Mary has played concerts all over the Northeast, and
continues to branch out as her fan base grows.
Mary Gatchell's velvet voice and alluring charm coupled
with her haunting melodies have a unique way of pulling
you into her world. Her electrifying performances
stir the soul and mesmerize audiences everywhere. Whether
playing solo or with her ensemble, Mary's sensitive,
honest, and powerful expression leaves an indelible
mark.
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